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	<title>dance on paper</title>
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	<link>http://danceonpaper.com</link>
	<description>write about dance!</description>
	<pubDate>Thu, 18 Sep 2008 19:49:31 +0000</pubDate>
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		<title>Iannis Xenakis, Oresteia</title>
		<link>http://danceonpaper.com/2008/09/18/iannis-xenakis-oresteia/</link>
		<comments>http://danceonpaper.com/2008/09/18/iannis-xenakis-oresteia/#comments</comments>
		<pubDate>Thu, 18 Sep 2008 19:39:55 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[David Schotzko]]></category>

		<category><![CDATA[Iannis Xenakis]]></category>

		<category><![CDATA[International Contemporary Ensemble]]></category>

		<category><![CDATA[Luca Veggetti]]></category>

		<category><![CDATA[Miller Theater]]></category>

		<category><![CDATA[Oresteia]]></category>

		<category><![CDATA[Pascal Delcey]]></category>

		<category><![CDATA[Wilbur Pauley]]></category>

		<category><![CDATA[Young People's Chorus of New York City]]></category>

		<guid isPermaLink="false">http://danceonpaper.wordpress.com/?p=65</guid>
		<description><![CDATA[
Just a few thoughts on Miller Theater&#8217;s production of Oresteia: With all due respect for Luca Veggetti&#8217;s direction and choreography, does Iannis Xenakis&#8217; highly contemporary and thrilling score call for dance in a balletic jazz idiom? In fact, why bring in dancers at all? Why not elaborate the most successful bits of choreography, those in [...]]]></description>
		<wfw:commentRss>http://danceonpaper.com/2008/09/18/iannis-xenakis-oresteia/feed/</wfw:commentRss>
	
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			<media:title type="html">Oresteia at Miller Theater</media:title>
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		<item>
		<title>Interview with Olivier Dubois</title>
		<link>http://danceonpaper.com/2008/09/09/interview-with-olivier-dubois/</link>
		<comments>http://danceonpaper.com/2008/09/09/interview-with-olivier-dubois/#comments</comments>
		<pubDate>Tue, 09 Sep 2008 21:59:38 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[Christophe Honore]]></category>

		<category><![CDATA[Faune(s)]]></category>

		<category><![CDATA[L'Apres-midi d'un faune]]></category>

		<category><![CDATA[Olivier Dubois]]></category>

		<category><![CDATA[Sophie Perez]]></category>

		<category><![CDATA[The Afternoon of a Fawn]]></category>

		<category><![CDATA[Vaslav Nijinsky]]></category>

		<category><![CDATA[Xavier Boussiron]]></category>

		<guid isPermaLink="false">http://danceonpaper.wordpress.com/?p=59</guid>
		<description><![CDATA[


It seems that Vaslav Nijinsky is making himself manifest to me lately. I just finished reading Journal de Nijinsky, the diary he furtively kept during his later years under psychiatric observation; MoMA screened a documentary on the Ballets Russes a few weekends ago; and I came across an interview with French choreographer Olivier Dubois in [...]]]></description>
		<wfw:commentRss>http://danceonpaper.com/2008/09/09/interview-with-olivier-dubois/feed/</wfw:commentRss>
	
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			<media:title type="html">Nijinsky as Fawn</media:title>
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		<title>Matthieu Hocquemiller, J&#8217;arrive plus à mourir</title>
		<link>http://danceonpaper.com/2008/06/14/matthieu-hocquemiller-jarrive-plus-a-mourir/</link>
		<comments>http://danceonpaper.com/2008/06/14/matthieu-hocquemiller-jarrive-plus-a-mourir/#comments</comments>
		<pubDate>Sat, 14 Jun 2008 20:20:25 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[A contre poil du sens]]></category>

		<category><![CDATA[Cyril Viallon]]></category>

		<category><![CDATA[Elise Legros]]></category>

		<category><![CDATA[Evguenia Chtchelkova]]></category>

		<category><![CDATA[J'arrive plus à mourir]]></category>

		<category><![CDATA[Mains d'Oeuvres]]></category>

		<category><![CDATA[Mattheiu Hocquemiller]]></category>

		<guid isPermaLink="false">http://danceonpaper.wordpress.com/?p=34</guid>
		<description><![CDATA[
We are going to throw a huge party.
We will want grandiose and pathetic beings.
We will be anecdotal and essential.
We will explain seriously what dance is, the inscription of the intimate and of the collective, the complex articulation of meat and of immediacy.
We will talk about politics, we will say really big words, enormous words, we [...]]]></description>
		<wfw:commentRss>http://danceonpaper.com/2008/06/14/matthieu-hocquemiller-jarrive-plus-a-mourir/feed/</wfw:commentRss>
	
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		<title>Mains d&#8217;Oeuvres: le cousin de Chez Bushwick?</title>
		<link>http://danceonpaper.com/2008/06/14/mains-doeuvres-le-cousin-de-chez-bushwick/</link>
		<comments>http://danceonpaper.com/2008/06/14/mains-doeuvres-le-cousin-de-chez-bushwick/#comments</comments>
		<pubDate>Sat, 14 Jun 2008 20:15:21 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[Mains d'Oeuvres]]></category>

		<category><![CDATA[Chez Bushwick]]></category>

		<guid isPermaLink="false">http://danceonpaper.wordpress.com/?p=35</guid>
		<description><![CDATA[

Mains d&#8217;Oeuvres is a fantastic venue and resource for fledgling artists. Located just north of Paris in the suburb of Saint Ouen, it could be likened to the alternative creative spaces for interdisciplinary arts in Brooklyn. It caters specifically to young companies, helping them get on their feet through various residencies and administrative aid. Here is [...]]]></description>
		<wfw:commentRss>http://danceonpaper.com/2008/06/14/mains-doeuvres-le-cousin-de-chez-bushwick/feed/</wfw:commentRss>
	
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		<title>Catherine Baÿ, Blanche Neige</title>
		<link>http://danceonpaper.com/2008/06/01/catherine-bay-blanche-neige/</link>
		<comments>http://danceonpaper.com/2008/06/01/catherine-bay-blanche-neige/#comments</comments>
		<pubDate>Sun, 01 Jun 2008 19:03:22 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[Blanche Neige]]></category>

		<category><![CDATA[Catherine Bay]]></category>

		<category><![CDATA[Episode #1]]></category>

		<category><![CDATA[Snow White]]></category>

		<guid isPermaLink="false">http://danceonpaper.wordpress.com/?p=21</guid>
		<description><![CDATA[
A testament to the fact that performance art needn&#8217;t employ a megaphone or other ostentatious devices to get its message across. Catherine Bay&#8217;s project of gun-toting Snow Whites is cunning, decisive and wonderfully subtle. It&#8217;s been a long while since I&#8217;ve seen anything so powerful in the realm of both performance and choreography.
On Friday night [...]]]></description>
		<wfw:commentRss>http://danceonpaper.com/2008/06/01/catherine-bay-blanche-neige/feed/</wfw:commentRss>
	
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			<media:title type="html">Still from </media:title>
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		<title>Interview with Jérôme Bel and Daniel Buren</title>
		<link>http://danceonpaper.com/2008/05/04/interview-with-jerome-bel-and-daniel-buren/</link>
		<comments>http://danceonpaper.com/2008/05/04/interview-with-jerome-bel-and-daniel-buren/#comments</comments>
		<pubDate>Sun, 04 May 2008 15:57:53 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[Daniel Buren]]></category>

		<category><![CDATA[Jerome Bel]]></category>

		<category><![CDATA[Pompidou Center]]></category>

		<category><![CDATA[Seven Ballets in Manhattan]]></category>

		<category><![CDATA[Superpositions]]></category>

		<category><![CDATA[Veronique Doisneau]]></category>

		<guid isPermaLink="false">http://danceonpaper.wordpress.com/?p=19</guid>
		<description><![CDATA[
This year&#8217;s Vidéodanse program at the Centre Pompidou contains a great interview with choreographer Jérôme Bel and visual/installation artist Daniel Buren. I have translated it here for those interested in reading it. Interview conducted by Jean-Max Colard in Paris, Feb. 2008.
Everything Depends on its Context
A meeting between two prestigious regulars of the Pompidou Center: Daniel [...]]]></description>
		<wfw:commentRss>http://danceonpaper.com/2008/05/04/interview-with-jerome-bel-and-daniel-buren/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Vidéodanse 2008</title>
		<link>http://danceonpaper.com/2008/05/01/videodanse-2008/</link>
		<comments>http://danceonpaper.com/2008/05/01/videodanse-2008/#comments</comments>
		<pubDate>Thu, 01 May 2008 08:44:48 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[Centre Pompidou]]></category>

		<category><![CDATA[Videodanse]]></category>

		<category><![CDATA[Dance for the Camera]]></category>

		<category><![CDATA[Festival]]></category>

		<category><![CDATA[Le Sacre du Printemps]]></category>

		<category><![CDATA[Nijinsky]]></category>

		<category><![CDATA[Oskar Schlemmer]]></category>

		<category><![CDATA[Ballet Triadique]]></category>

		<category><![CDATA[Entr'acte]]></category>

		<category><![CDATA[Rene Clair]]></category>

		<category><![CDATA[Francis Picabia]]></category>

		<category><![CDATA[Variations V]]></category>

		<category><![CDATA[Merce Cunningham]]></category>

		<category><![CDATA[Samuel Beckett]]></category>

		<category><![CDATA[Quad I & II]]></category>

		<guid isPermaLink="false">http://danceonpaper.wordpress.com/?p=18</guid>
		<description><![CDATA[Since 2000, the Pompidou Center has hosted these 2 to 3-week-long screenings of dance videos, open to the public at no cost. The Vidéodanse trend is to show a marathon of dance videos, although they aren&#8217;t so much dance videos as they are video recordings of the proscenium stage. I was hoping for more &#8220;dances [...]]]></description>
		<wfw:commentRss>http://danceonpaper.com/2008/05/01/videodanse-2008/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Saburo Teshigawara, the theater technicians will never forgive you.</title>
		<link>http://danceonpaper.com/2008/02/16/saburo-teshigawara-the-theater-technicians-will-never-forgive-you/</link>
		<comments>http://danceonpaper.com/2008/02/16/saburo-teshigawara-the-theater-technicians-will-never-forgive-you/#comments</comments>
		<pubDate>Sat, 16 Feb 2008 16:39:47 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[Glass Tooth]]></category>

		<category><![CDATA[Karas]]></category>

		<category><![CDATA[Saburo Teshigawara]]></category>

		<category><![CDATA[Theatre National de Chaillot]]></category>

		<guid isPermaLink="false">http://danceonpaper.wordpress.com/?p=14</guid>
		<description><![CDATA[ 
Two thoughts came to mind when watching Saburo Teshigawara dance over a huge bed of broken glass last night:
1)	Self-expression, no matter how passionate, does not guarantee artistry;
2)	Set design, no matter how sharp (pun woefully intended), has the danger of being a total gimmick.
Both of these conclusions apply to Glass Tooth, being presented by his company [...]]]></description>
		<wfw:commentRss>http://danceonpaper.com/2008/02/16/saburo-teshigawara-the-theater-technicians-will-never-forgive-you/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Anne Teresa de Keersmaeker, Zeitung</title>
		<link>http://danceonpaper.com/2008/01/19/anne-teresa-de-keersmaeker-zeitung/</link>
		<comments>http://danceonpaper.com/2008/01/19/anne-teresa-de-keersmaeker-zeitung/#comments</comments>
		<pubDate>Sat, 19 Jan 2008 14:56:57 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[Anne Teresa de Keersmaeker]]></category>

		<category><![CDATA[Rosas]]></category>

		<category><![CDATA[Theatre de la Ville]]></category>

		<category><![CDATA[Zeitung]]></category>

		<guid isPermaLink="false">http://danceonpaper.wordpress.com/?p=13</guid>
		<description><![CDATA[
That feisty maven from Brussels is at it again. Even though I have found Keersmaeker&#8217;s recent works to be so-so, her world premiere of Zeitung at Théâtre de la Ville last night left me surprisingly appreciative. Given her intent to set movement to Bach, Webern and Schoenberg, I have a hard time dismissing an evening of [...]]]></description>
		<wfw:commentRss>http://danceonpaper.com/2008/01/19/anne-teresa-de-keersmaeker-zeitung/feed/</wfw:commentRss>
	
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			<media:title type="html">Herman Sorgeloos</media:title>
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	</item>
		<item>
		<title>Alain Buffard, (Not) a love song</title>
		<link>http://danceonpaper.com/2007/12/21/alain-buffard-not-a-love-song/</link>
		<comments>http://danceonpaper.com/2007/12/21/alain-buffard-not-a-love-song/#comments</comments>
		<pubDate>Fri, 21 Dec 2007 13:42:35 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[Alain Buffard]]></category>

		<category><![CDATA[Centre Pompidou]]></category>

		<guid isPermaLink="false">http://danceonpaper.com/2007/12/21/alain-buffard-not-a-love-song/</guid>
		<description><![CDATA[
Alain Buffard restored my faith in singing and dancing on stage. With (Not) a love song, he serves us the fancy cocktail we secretly desire (pure, shameless spectacle) mixed with its antidote (wry, off-beat humor). In doing so, he avoids all the labels one normally tags on the musical comedy: cheesy, cheeky, corny, cliché&#8230; and [...]]]></description>
		<wfw:commentRss>http://danceonpaper.com/2007/12/21/alain-buffard-not-a-love-song/feed/</wfw:commentRss>
	
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			<media:title type="html">crédit photographique Marc Domage</media:title>
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