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	<title>dance on paper</title>
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	<description>write about dance!</description>
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		<title>dance on paper</title>
		<link>http://danceonpaper.com</link>
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		<title>Raimund Hoghe on Café Müller</title>
		<link>http://danceonpaper.com/2009/06/30/raimund-hoghe-on-cafe-muller/</link>
		<comments>http://danceonpaper.com/2009/06/30/raimund-hoghe-on-cafe-muller/#comments</comments>
		<pubDate>Tue, 30 Jun 2009 11:20:58 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Cafe Muller]]></category>
		<category><![CDATA[Histoires de theatre danse]]></category>
		<category><![CDATA[Pina Bausch]]></category>
		<category><![CDATA[Raimund Hoghe]]></category>

		<guid isPermaLink="false">http://danceonpaper.com/?p=163</guid>
		<description><![CDATA[
Une plainte d&#8217;amour. Se souvenir, se mouvoir, se toucher. Adopter des attitudes. Se dévêtir, se faire face, déraper sur le corps de l&#8217;Autre. Chercher ce qui est perdu, proximité. Ne savoir que faire pour se plaire. Courir vers les murs, s&#8217;y jeter, s&#8217;y heurter. S&#8217;effondrer et se relever. Reproduire ce qu&#8217;on a vu. S&#8217;en tenir [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=danceonpaper.com&blog=2205599&post=163&subd=danceonpaper&ref=&feed=1" />]]></description>
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		<title>Paul Singh, Choreographer of the Mind</title>
		<link>http://danceonpaper.com/2009/06/08/paul-singh-choreographer-of-the-mind/</link>
		<comments>http://danceonpaper.com/2009/06/08/paul-singh-choreographer-of-the-mind/#comments</comments>
		<pubDate>Mon, 08 Jun 2009 15:52:01 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[DNA]]></category>
		<category><![CDATA[In the Company of Men]]></category>
		<category><![CDATA[Jerome Bel]]></category>
		<category><![CDATA[Paul Singh]]></category>
		<category><![CDATA[Privy]]></category>

		<guid isPermaLink="false">http://danceonpaper.com/?p=220</guid>
		<description><![CDATA[
If Jérôme Bel is a choreographer for the mind, then Paul Singh is a choreographer of the mind. To watch a Paul Singh dance is to have your brain go on a gentle, guided tour- a behind-the-scenes tour of the very dance he is presenting. Standing in front of you calmly speaking into a microphone, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=danceonpaper.com&blog=2205599&post=220&subd=danceonpaper&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://danceonpaper.com/2009/06/08/paul-singh-choreographer-of-the-mind/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Daft Punk as Choreographic Score</title>
		<link>http://danceonpaper.com/2009/05/12/daft-punk-as-choreographic-score/</link>
		<comments>http://danceonpaper.com/2009/05/12/daft-punk-as-choreographic-score/#comments</comments>
		<pubDate>Tue, 12 May 2009 16:46:37 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://danceonpaper.com/?p=213</guid>
		<description><![CDATA[In her Masters thesis,&#8220;Dorky Dance, YouTube, and the New Vaudeville&#8221; , Latika Young traces the path from Charlie Chaplin and Buster Keaton to Pee Wee Herman and Napoleon Dynamite, going on to further explain how the internet has propelled this new vaudeville genre of &#8220;dorky dancing&#8221; with its popular viral videos. 
Strong supporting videos include Fatboy [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=danceonpaper.com&blog=2205599&post=213&subd=danceonpaper&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://danceonpaper.com/2009/05/12/daft-punk-as-choreographic-score/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Video Craft: Sugar Water</title>
		<link>http://danceonpaper.com/2009/04/15/video-craft-sugar-water/</link>
		<comments>http://danceonpaper.com/2009/04/15/video-craft-sugar-water/#comments</comments>
		<pubDate>Wed, 15 Apr 2009 16:33:44 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Cibo Matto]]></category>
		<category><![CDATA[Michel Gondry]]></category>
		<category><![CDATA[Sugar Water]]></category>

		<guid isPermaLink="false">http://danceonpaper.com/?p=198</guid>
		<description><![CDATA[
Cibo Matto &#8211; SUGAR WATER
my favorite Michel Gondry video&#8230;


       <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=danceonpaper.com&blog=2205599&post=198&subd=danceonpaper&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Elodie Pong, After The Empire</title>
		<link>http://danceonpaper.com/2009/03/27/elodie-pong-after-the-empire/</link>
		<comments>http://danceonpaper.com/2009/03/27/elodie-pong-after-the-empire/#comments</comments>
		<pubDate>Fri, 27 Mar 2009 18:37:00 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[After The Empire]]></category>
		<category><![CDATA[Catherine Bay]]></category>
		<category><![CDATA[Elodie Pong]]></category>
		<category><![CDATA[Even A Stopped Clock Is Right Twice a Day]]></category>
		<category><![CDATA[The Kitchen]]></category>

		<guid isPermaLink="false">http://danceonpaper.com/?p=188</guid>
		<description><![CDATA[
Elodie Pong, video artist, born in Boston, lives and works in Zurich. In her short film,  After The Empire, cultural and historical icons intermingle in an absurdist scenario: Marilyn Monroe woos Karl Marx, a Japanese girl dressed as Mickey Mouse reads a sex ad, Elvis recites his lyrics with zero affect, and Robin coyly wins Batman&#8217;s [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=danceonpaper.com&blog=2205599&post=188&subd=danceonpaper&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://danceonpaper.com/2009/03/27/elodie-pong-after-the-empire/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Video Craft: Dalí Dream Sequence</title>
		<link>http://danceonpaper.com/2009/03/21/182/</link>
		<comments>http://danceonpaper.com/2009/03/21/182/#comments</comments>
		<pubDate>Sat, 21 Mar 2009 17:21:53 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Dali]]></category>
		<category><![CDATA[dream sequence]]></category>
		<category><![CDATA[Hitchcock]]></category>

		<guid isPermaLink="false">http://danceonpaper.com/2009/03/21/182/</guid>
		<description><![CDATA[
       <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=danceonpaper.com&blog=2205599&post=182&subd=danceonpaper&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://danceonpaper.com/2009/03/21/182/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Bernard Wilhelm &amp; Nick Knight</title>
		<link>http://danceonpaper.com/2009/01/25/bernard-wilhelm-nick-knight/</link>
		<comments>http://danceonpaper.com/2009/01/25/bernard-wilhelm-nick-knight/#comments</comments>
		<pubDate>Sun, 25 Jan 2009 07:08:39 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Bernard Wilhelm]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Dance for the Camera]]></category>
		<category><![CDATA[Men in Tights]]></category>
		<category><![CDATA[Nick Knight]]></category>
		<category><![CDATA[screendance]]></category>

		<guid isPermaLink="false">http://danceonpaper.com/?p=146</guid>
		<description><![CDATA[
A screendance, if you will:  Men in Tights
       <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=danceonpaper.com&blog=2205599&post=146&subd=danceonpaper&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://danceonpaper.com/2009/01/25/bernard-wilhelm-nick-knight/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>The Body Cartography Project, Holiday House</title>
		<link>http://danceonpaper.com/2009/01/17/the-body-cartography-project-holiday-house/</link>
		<comments>http://danceonpaper.com/2009/01/17/the-body-cartography-project-holiday-house/#comments</comments>
		<pubDate>Sat, 17 Jan 2009 17:56:12 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Family Affair]]></category>
		<category><![CDATA[Holiday House]]></category>
		<category><![CDATA[Mary J. Blige]]></category>
		<category><![CDATA[Morgan Thorson]]></category>
		<category><![CDATA[Olive Bieringa]]></category>
		<category><![CDATA[Otto Ramstad]]></category>
		<category><![CDATA[P.S. 122]]></category>
		<category><![CDATA[The Body Cartography Project]]></category>

		<guid isPermaLink="false">http://danceonpaper.com/?p=131</guid>
		<description><![CDATA[





photo: Sean Smuda
Holiday House is a playful performance that rarely lets go of your attention, like a wayward toddler whose silly antics make a stage of the living room carpet. Yet the performers in the Body Cartography Project display much more than eccentric behavior; they are quirky and convincing movers, and fortunately are given a [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=danceonpaper.com&blog=2205599&post=131&subd=danceonpaper&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://danceonpaper.com/2009/01/17/the-body-cartography-project-holiday-house/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
	
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			<media:title type="html">danseur</media:title>
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		<title>Screendance Integrity; Douglas Rosenberg</title>
		<link>http://danceonpaper.com/2009/01/13/screendance-integrity-douglas-rosenberg/</link>
		<comments>http://danceonpaper.com/2009/01/13/screendance-integrity-douglas-rosenberg/#comments</comments>
		<pubDate>Tue, 13 Jan 2009 19:11:42 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Dance Films Association]]></category>
		<category><![CDATA[Dance for the Camera]]></category>
		<category><![CDATA[Dance New Amsterdam]]></category>
		<category><![CDATA[DFA]]></category>
		<category><![CDATA[Douglas Rosenberg]]></category>
		<category><![CDATA[Roslyn Sulcas]]></category>
		<category><![CDATA[screendance]]></category>
		<category><![CDATA[videodance]]></category>

		<guid isPermaLink="false">http://danceonpaper.com/?p=113</guid>
		<description><![CDATA[Most of Douglas Rosenberg&#8217;s Dance for the Camera workshop was not devoted to Final Cut Pro editing but rather to discussing the importance of heightened critical dialogue around the art form.
The following excerpt is from his essay, &#8220;Proposing a Theory of Screendance&#8221;:
&#8220;When we think about screendance, much less comes to mind in regard to the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=danceonpaper.com&blog=2205599&post=113&subd=danceonpaper&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://danceonpaper.com/2009/01/13/screendance-integrity-douglas-rosenberg/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Trajal Harrell, Showpony</title>
		<link>http://danceonpaper.com/2009/01/09/trajal-harrell-showpony/</link>
		<comments>http://danceonpaper.com/2009/01/09/trajal-harrell-showpony/#comments</comments>
		<pubDate>Fri, 09 Jan 2009 05:57:38 +0000</pubDate>
		<dc:creator>danseur</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://danceonpaper.com/?p=101</guid>
		<description><![CDATA[Showpony conceptualizes the possible glamour and romance of contemporary dance as a lifestyle and livelihood into a performance where the lines between dancers, audience, and community are blurred and constantly reconfigured by a shifting production of values &#8211; visibility/invisibility, recognition/non-recognition, attention/inattention.
(Taken from the program notes)
Showpony was not as biting or spectacular as I had imagined [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=danceonpaper.com&blog=2205599&post=101&subd=danceonpaper&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://danceonpaper.com/2009/01/09/trajal-harrell-showpony/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
	
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